You’re that redundant beat in my heart, that tickle behind
my ear or beneath my feet, that blooming of rose petals across my face. You’re
that whisper thumping the air, that clever spark of life, that missing spring
of light and love in my life. You are those nimble feet of yours as the day
leads on and the clouds part. You restart my heart in many ways as the tips of
your boyish smile linger under my eyelids. You are that breath of life, that resurrection,
that urgent need in the morning as I mumble in lethargy, as the sun rises but I
still scramble for warmth tepidly. You are that cut on my heart, that published
letter of a pillow case’s zipper on my skin, that rising of the hairs on the
back of my neck. You are that fogged up circle on glass. You are that faint
play of wind and childish laughter in the streets. You are that sway through
midnight, that march from night to day. You’re that gasp, that hurt, in the
hollow of my chest. You are that flurry of held back tears, that hiss I pretend
to hear from time to time. You’re that impatient kettle clinking inside my
ears, that travel barefoot, that flurry of nostalgia. You are that funny
interrobang, that reasonable enough Oxford
comma. You are that vintage set of records, that flame born anew. You are that
goose skin, that tickle on my mouth, that ringing alarm. You are that unanimous
vote, that recipient of my cheer, that zap in my backbone. You are that cunning
smile, that delicious mess, that improperly proper presence. You’re that
steaming hot, that precious cold, that dreamy bright light. You are that.
Precisely, unmistakably, unerringly, inaccurately, invalidly, sickeningly that. You.
And I am but that girl in a queue of dangerously riled up pointing
fingers. I am that puddle of freezing water after a snowflake dies. I am that
embarrassing hiccup, that glitch, in a video entry. I’m that singular piece of
repulsiveness, that slithering gust of wind in the backdrop of Snow White’s
ugliest nightmares, that droopy, ersatz smile turned full-out grimace. I’m that
lousy space of ennui in the past, present, and undeniably the future. I am that
reduce of riveting words, that cutting out of a stalwart performance, that
breakdown, that imminent thumbs down from a critique. I am that gushing blue of
sadness, that trespassing outsider, that lawbreaker, that joy murderer. I’m
that blindingly shocking call, that keen for something better. I am that.
Typically, helplessly, unremittingly, unattractively that. Me.
Kindly wrap me away, covered and never dusted, in that
lonely corner of your attic, just like I had been. Send me to the corners of
your smile, if you’re kinder, although I am content with drawing out my
solitary, it is exhaustingly dark and I am famished. You are so you, and I am
so me, and I will always have little to no understanding and knowledge at all
why our paragraphs are next to each other. And somehow it isn’t too bad. Never
so bad. But also never so great. My penchant for wintry days is next to fictitious,
because who knows how great a snowflake tastes.
who knows if the moon's — e.e. cummings
who knows if the moon’s
a balloon,coming out of a keen city
in the sky—filled with pretty people?
(and if you and i should
get into it,if they
should take me and take you into their balloon,
why then
we’d go up higher with all the pretty people
than houses and steeples and clouds:
go sailing
away and away sailing into a keen
city which nobody’s ever visited,where
always
it’s
Spring)and everyone’s
in love and flowers pick themselves
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